Eagle Eye
(31.4 GB - DreamWorks Home Entertainment US - AVC/H.264 Video Codec - Region: A/B/C)

Elephant
(15.9 GB - Optimum Home Entertainment UK - AVC/H.264 Video Codec - Region: B)

(Van Sant's [second] "experimental phase" pre-MILK resulted in some interesting films, with this, IMO, being the most successful one overall.)

Comments (0) | Categories: Blu-ray, Non-Mainstream Cinema

The Elephant Man
(31.5 GB - StudioCanal/Optimum Releasing UK - AVC/H.264 Video Codec - Region: A/B)

(From the new "StudioCanal Collection.")

Comments (0) | Categories: Blu-ray, Non-Mainstream Cinema

Elite Squad
(20.0 GB - Optimum Home Entertainment UK - VC-1 Video Codec - Region: B)

("From the Academy Award®-nominated writer of CITY OF GOD."  Note: The camera hardly is still for ½ second in this film, so if any caps are soft...)

Comments (0) | Categories: Blu-ray, Worldwide Cinema

An Empress and the Warriors
(30.4 GB - Mei Ah Entertainment HK - AVC/H.264 Video Codec - Region: A/B/C)

Encounters at the End of the World
(21.2 GB - Image Entertainment US - AVC/H.264 Video Codec - Region: A)

(Note: Shot on HDV)

Equilibrium
(18.1 GB - Momentum Pictures UK - VC-1 Video Codec - Region: A/B/C)

Japanese HD DVD, framed at 2.39:1 comparisons (may be off by a frame or two):

Comments (0) | Categories: Blu-ray, HD DVD, Mainstream Cinema

Escape to Athena
(16.3 GB - itv DVD UK - VC-1 Video Codec - Region: A/B/C)

Event Horizon
(30.1 GB - Paramount Home Entertainment US - AVC/H.264 Video Codec - Region: A/B/C)

Every Which Way But Loose
(19.8 GB - Warner Home Video USA - VC-1 Video Codec - Region: A/B/C)

The Extraordinary Adventures of Adèle Blanc-Sec
(19.2 GB - Nordisk Film NO - AVC/H.264 Video Codec - Region: B)

Comments (0) | August 15th, 2011 | Categories: Blu-ray, World Cinema

Eyes Wide Shut
(29.5 GB - Warner Home Video US - VC-1 Video Codec - Region: A/B/C)

(Note: "EYES WIDE SHUT is probably the grainiest 35mm production of the last ten years. Kubrick shot it using Kodak's fast 500 ASA 5298 filmstock - already a grainy stock to begin with (in fact it was in the process of being discontinued when Kubrick began production on EYES, but he choose it over the newer, much finer grained "Vision" 500 stock because he didn't like how the Vision stock's color shifted when push-processed) - and had it pushed a full 2-stops in the lab during processing. Talk about a grainfest! IMO, the heavy graininess (blacks in particular were SWIMMING with heavy grain in the 35mm prints) worked and added to the dreamy nature of the film." -- Vincent Pereira)

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